373-502 Pitch Melody: Piece begins in C child with several modulations passim: oThe sec subject modulates to E mat major through the descending arpeggios in the duad passage oThe development is in F minor before modulating stick out to the sparkling water of C minor in the recapitulation oThe second subject in the recapitulation is in C major, the tonic major oThe musical composition is back to C minor in the coda and thither is an extended tutti perfect cadence from bump 496 to the end oThe modulations are of major and minor tonalities, a classical characteristic From stop over 6 there is the use of imitation and sequences in the throughout the strings before the whole orchestra restates the estimate at ! suspend 18. There is then the return of the main melodic theme announced by the full string and wind sections and the horns, followed by sequenced variations. At bar 38 a new brassy and melodic ascending motif is introduced in the strings: The link up passage consists of descending arpeggios The second subject begins with the horn acclaim Balanced phrases are evident in...If you want to get a full essay, order it on our website: BestEssayCheap.com
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